- Reubens, Elevation of the Cross. 1610-1611
- Rembrant, Self Portrait. 1628
- Subtractive, eyes obscure, removes windows to the soul, explores other avenues besides traditional, chiaroscuro, tenebrism.
Rococo,
- Fragonard, The Swing. 1766
- Trivial, frivolous, sexual content, non-political, non-religious, just directed towards higher class.
Neo-Classical, late 1700's
(Idealism, lack of emotion)
- Jacques Louis David, Marat Assassination, 1793
- Historical, close friend, personal, relieving how he was murdered.
- Jacques Louis David, The oath of Horatii, 1784-1785
- one point linear perspective, conservative political pa
- Ingres, Grande Odalisques, 1814
- Reclining nude, s shape for seduction, manneristic influences
Romanticism, 1800's
- Theodore Gericault, The Raft of medusa, 1818-1819
- Dramatic lighting, awe, majestic, evoke emotion, personal intense expression, Man of colour is the hero, royalists leave crew to die 4 miles out to sea, response to neo-classicism.
- Delacroux, Lady Liberty, 1830
- Captures passion and energy, depiction of allegorical personification of liberty.
- Goya, 3rd of May, 1814-1815
- Faceless mean french, no emotion. The man is focal point, defenseless, Christ pose, painterly, brush strokes seen.
Realism, Late 1800's
- Daumier, The third class Carriage, 1863-1865
- depicting the real, the everyday and mundane.
- Millet, The gleaners, 1857
- lack of vibrant colour, non-pretty/happy, attention drawn to the gleaners.
- Repin, Barge haulers on the Volga, 1870-1873
- Shows a story what is to come for the younger man, celebrates and condemns man at the same time.
Impressionism, late 1800's
(Cpature the fleeting movement, en plein air)
- Manet, The Luncheon on the Grass, 1864
- two nude woman, two well dressed men. Manet's aim was to have a reassesment of what should be considered art for the salon.
- Manet, Olympia, 1863
- exploring racial divisions, meets viewers eyes with indifference
- Monet, Impression Sunrise, 1872
- Clear brushstrokes, Painting to define impressionism, impression of a painting
- Degas, L'Anbsinthe, 1876
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